Three Ways to Stay Forever Young

fountainOne of the most ancient myths is of a Fountain of Youth that would restore the youth of anyone who drank from it or bathed in its waters.  There are versions of this tale that exist from as early as the 5th Century BC.  One of the most familiar settings is associated with the 16th century Spanish conquistador Ponce de Leon, although his connection with the legend seemed to happen mostly after his lifetime.  I don’t know if I would really want to drink from the fountain of youth.  It might take some of the grey hairs out of my beard, but I’m a great deal smarter now than when I was young.  I made my share of stupid, youthful mistakes and I’m not sure I should go back to that.

Staying forever youthful, or young at heart is much more recommended.  One of the greatest tunes about being young at heart is Bob Dylan’s Forever Young.  This song first appeared on his 1974 album Planet Waves.  Actually, there are two versions of the song on the same album.  Maybe someone out there could comment, but this is the only time I am aware of that two versions of the one song appeared on the same album.

Bob Dylan, Planet Waves on Spotify

Here is a live version that Dylan performed on television.

Forever Young, Bob Dylan

Now, I love Bob Dylan, but the brother can be hard to understand sometimes.  Here are the lyrics to be clear.

“Forever Young”

May God bless and keep you always

May your wishes all come true

May you always do for others

And let others do for you

May you build a ladder to the stars

And climb on every rung

May you stay forever young

Forever young, forever young

May you stay forever young.


May you grow up to be righteous

May you grow up to be true

May you always know the truth

And see the lights surrounding you

May you always be courageous

Stand upright and be strong

May you stay forever young

Forever young, forever young

May you stay forever young.


May your hands always be busy

May your feet always be swift

May you have a strong foundation

When the winds of changes shift

May your heart always be joyful

And may your song always be sung

May you stay forever young

Forever young, forever young

May you stay forever young.

As you may remember from last month, John Corigliano is one of my favorite composers.  He was approached in 2000 to write a song cycle, and the only request  made of him was to set texts from an American poet.  As Corigliano was preparing and thinking about the project, a colleague suggested that he look at the poetry/lyrics of Bob Dylan.  John was intrigued, and started by getting a book of only the lyrics (no music).  I think it’s impossible that he had never heard some of these songs before, but Corigliano wanted to set the texts without being influenced by the Dylan versions.  He picked seven poems for his song cycle and the final one was “Forever Young”.

Forever Young, John Corigliano setting

John’s music is masterful and the settings of each song is artful.  The only problem I have as a listener is I find it impossible to divorce myself from the originals.  I can’t get Dylan out of my ear, and so there is alway a little veneer of oddness when I listen to Corigliano’s song cycle.  This is just baggage that I bring to the experience, and not any flaw in the composition.

My favorite version of Forever Young (and there are many), is actually one I heard in a television program.  I don’t get to watch much in the way of television, but I always have my ears open for good music.  Sometimes you get introduced to things in the most accidental ways.

Forever Young, Audra Mae and the Forest Rangers.

If I may be so bold as to offer my own input, I have run across three ways to stay forever young.  These come from several sources, and not everyone may be able to follow them all, but I would suggest trying as many as you can:

Keep Moving

Keep Laughing

Keep Loving

Of Rage and Remembrance


John Corigliano

John Corigliano (born 1938) is the first living composer I have included in this series on orchestra music by American Composers.  He has lived his whole life in New York City, and teaches composition at both the Juilliard School and the City University of New York.  His website,, has a biography and information on new recordings of his music.  (For the record, I own all of the recordings of his music.)  He has written an opera, The Ghosts of Versailles, as well as film scores, a string quartet,  vocal music, concertos and symphonies. My first exposure to his work was with the Symphony No. 1.

I can remember driving in the car and listening to an arts report on NPR.  They were talking about the world premiere of the symphony by Daniel Barenboim and the Chicago Symphony Orchestra.  I hadn’t yet heard of Corigliano, but I had a great interest in any American composer (and still do).  They played an excerpt from the opening of the first movement, and it hit me like a lightening bolt.  I was blown away, and had to pull the car over to the side of the road.  I screamed when the excerpt stopped, and immediately set out to find the recording to hear the entire work.

quiltmallCorigliano served as Composer in Residence for the Chicago Symphony in 1988 to 1989.  His Symphony No. 1 was premiered in March of 1990 by the Chicago Symphony, and the live recording was made into an album on the Erato label.  Corigliano was inspired to finally write a symphony after seeing the NAMES Project AIDS Memorial Quilt, a huge art project bringing awareness of the scope of the AIDS Pandemic.  He had lost friends, colleagues and loved ones to the AIDS crisis, and used the very public form of symphony to memorialize three of them,  expressing some of his feelings of loss, anger and frustration at this ongoing health tragedy.  If you want to refresh your memory of the events at the beginning of the AIDS Pandemic, I would suggest the book “And the Band Played On” by the late Randy Shilts, or the 2014 HBO television movie “The Normal Heart”.  There are many levels on which these were not humanity’s finest moments.

The first movement starts with just the note “A”.  That sounds simple, starting with the tuning note that the orchestra matches at 440 hz.  The nasal, strident, tension filled tone of the pitch burns like a hot glowing coal.  Strings are not bowing together, vibrato is not blending, and the tone sears instead of singing.  That tone is interrupted by percussion a couple of times before the rage bursts into flames with the whole orchestra.  This passage knocks me on my posterior every time I hear it.  The musical material representing anger alternates with a softer “remembrance”, portrayed by an off stage piano playing a piano transcription of Isaac Albeniz’s Tango.  This piano piece was a favorite of a pianist-friend of John Corigliano, for whom this large A-B-A movement is a memorial.  This is powerful, emotional music.

The second movement is a bitterly ironic tarantella, written in memory of a friend of Corigliano that was an executive in the music industry.  The tarantella theme is taken from a set of piano pieces for four hands that Corigliano wrote for some amateur pianist friends. Those pieces contained a tarantella  dance movement dedicated to this friend.   A tarantella is a dance music from southern Italy, whereby the victim of a tarantula bite will dance with increasing speed to exorcise themself of the hysterical insanity inflicted by the spider bite.  When this friend of Corigliano contracted AIDS, his mind was ravaged by AIDS dementia in a horribly bitter decline.  The symphonic movement portrays periods of relative lucidity with episodes of hallucinatory madness, as the Tarantella theme is fragmented, hurried and divided among many instruments of the orchestra.  The end of the movement is a brutal scream.

The third movement is a Chaconne, and takes its theme from an old tape of Corigliano improvising with a college friend and amateur cellist.  The solo cello represents his friend, and also his friend’s cello teacher who died of AIDS.  There are other musical friends memorialized less explicitly in this song-like movement.  The last movement is an Epilogue, which brings back the Tango theme, the Tarantella melody and the solo cello theme to recapitulate the whole work.  The symphony ends with the same single note “A” that began the piece, now fading away.  This 40 minute work is one of the most powerfully moving pieces of music I know.

Since John Corigliano is still alive, I don’t feel right linking this post to YouTube content that might break copyright.  (I will warn you that the one video available at the time of this writing that advertises to be a complete performance of the symphony leaves off the final Epilogue.)

Corigliano 1I would recommend the performance by Leonard Slatkin and the National Symphony Orchestra that is available on Spotify.  I believe that John Corigliano himself preferred this performance to the world premiere recording, at least at one time.

John Corigliano, Symphony No. 1 on Spotify

I don’t know if this music is the stuff that one can really be said to “enjoy”.  It is a memorial that captures the anger, pain, frustration and powerlessness that one feels with the loss of a loved one, as well as the loving memories one has of their life.  I hope you find it a moving experience and a worthwhile listen.